Full Chisel Blog

May 14, 2013

Double Hacksaw – 1749

turning1

I have posted about this hacksaw before during a workshop with the Nevada WoodChucks, and thought I would post the original influence.  Charles Plummier’s L’art de Tourner published in 1749, this is a photograph of an original edition in the collection of Ray Wilson of Indianapolis.  I shot the photograph in 1977.

double hacksaw

I have made and sold several of these including a couple of replacement arms, it is remarkably easy to break the end by overtightening the tension.  An iron version would not have this problem.  Very handy tool which I find I use on a regular basis.

I used the shape of the iron version on the upper left as I liked the looks of the arms, the wooden version is on the upper right.  Did you know the paint on hacksaw blades is actually a lubricant?

Stephen

 

January 11, 2013

Shepherds’ Compleat Early Nineteenth Century Woodworker – First Review

bookcover2

This is the first book review of my first book that was originally published in hardbound in 1981.  This review appeared in Smithsonian Magazine April 1982.

smithsonian1

smithsonian2

 

 

I found this while doing research at the University of Nevada, Reno at their excellent library.

Now I need to find the reviews in Workbench Magazine, Soldier of Fortune Magazine and Museum of the Fur Trade Quarterly.

Available at Tools for Working Wood

and The Full Chisel Store or from Amazon.  Amazon also has original hardbound editions for sale.

Stephen

May 5, 2012

Cast Iron Foot Powered Treadle Wheel for a Watchmaker’s Lathe

Filed under: Historical Material,Of Interest,Proper Tools,Turning,Workbench — Stephen Shepherd @ 6:07 pm

I first used one of these when I built my first 1805 Turning Bench* [a foot powered treadle lathe with a bench attached], I had borrowed one of these from a friend and powered the lathe until I finished the wooden wheel, crank, pitman and treadle.

* Plans available from Tools For Working Wood.

Then today a friend called me and said he spotted one in a local antique store.  I have purchased from this guy before and he has fine stuff at a little higher than I like.  My friend described the wheel, I filled in the details to his amazement.  I then talked to the owner and bought the wheel as my friend said he couldn’t afford to buy it right now.

Happy to have one and will build a small bench and mount my watchmaker’s lathe and put it to use.

Stephen

February 13, 2012

Turning on a Fiddle [Bow] Lathe

I haven’t got my current treadle lathe finished yet and I needed to turn a small decorative turning for the Montana Spinning Wheel that I have been working on for way too long.  I turned to my fiddle lathe or bow lathe or clockmaker’s lathe which I showed in detail earlier.

Here is a short video on turning on the fiddle lathe, I started with a gouge and finished off with a skew.  The gouge is a small carving chisel and the skew [and flat chisel] are ones I made.  The material is birch to match the original.

fiddle lathe  You have to click on this, for some reason that is the only way I can get it to work?

The video is short because the leather strap was stretching and had to be adjusted.  Then the leather strap broke.  I have tried several types of leather for this purpose, going to have to try some braided hemp, too bad I can’t get cello gut strings, they should work.

I did manage to get the turning finished, it took about a half an hour, the tool rest is quite small and had to be adjusted frequently.  It does take a few minutes to get use to turning with one hand while the other works the bow.

Stephen

January 26, 2012

Cutting Wooden Threads

Spiral threads have been cut in wood for centuries.  I discussed making thread by hand earlier.  During the nineteenth century the tools had been perfected but still retained their original design.  There are two components to threading; there is the screw and the nut.  The screw has external threads and is referred to as the male element and the nut has internal threads and is referred to as the female.  While these can be meticulously cut by hand, it is much easier to accomplish this by using some simple tools.   There are two tools used to make the threads by hand and they are the tap and the die or die box or screw box.  Wooden threads can also be cut on specialized lathes from a design first proposed by Leonardo da Vinci.  This discussion will be about using the two hand tools to make the threaded screw and nut.

There is nothing quite like creating wooden threads.  The process is a unique experience and the results can be rewarding.  You are capable of making your own wooden screw clamps, veneer presses, vices and adjustable items such as music stools, embroidery frames and candle stands.  Threading wood is something unique, a wooden nut and bolt is unusual, something that few others have.  The projects, tools, furniture and fun things you can make with a set of these tools are endless.  Wooden threads have always intrigued me; there is just something fascinating about them.

Wooden Thread Cutting Tools

There are two ways to go, the first is to buy a set of wooden thread cutting tools or you can make your own.  The new wood threading tools are of good quality and generally follow traditional designs.  If you choose to make your own you will need to have made a tap of the proper size that you are interested in making.  This should have sharp edges to make clean cuts; a machinist or good blacksmith can fabricate a tap to your particular dimensions.  These taps are similar to modern metal cutting taps except they are larger and have fewer teeth per inch.

Eight teeth per inch is about the minimum for a ½” tap and larger should have 6 teeth per inch and on very large screws for presses 4 TPI to withstand the pressure.  To make a tap the threads can be cut in the metal for the tap and then the four sides flattened to produce 4 cutting edges at each thread.  Regular taps have a tapered end to make it easy to start the tool into the wood.  Bottoming taps are not tapered but will cut to the end or the bottom of a blind hole.  Do not use a bottoming tap for initial threading as it can easily cut off centered internal threads.

There is another old design that has the threads machined on the outside and a hole drilled in the center of the end of the tap.  On the end of the tap, the threads are machined down to form the taper and at the first thread a small hole is drilled at an angle into the large center hole.  This forms a very sharp tooth that cuts and the chips go through the small hole and out the larger hole in the end of the tap.  This type of tap does produce a very smooth cut, but the traditional 4-sided tap, if it is sharp and used properly will also produce clean cuts.  The wooden handle should be strong and long enough to give leverage for the sometimes difficult process of cutting internal threads.  The handle should be rounded and shaped to fit the hand as the hand is touching the handle a lot during tapping.

Once the tap is made it is possible to make the die box and all that is required is a V-shaped cutter that is secured in the box and cuts the external threads.  Unlike the tap, which will cut with four cutters on each thread, the die has only one cutter that cuts all of the threads.  A proper sized hole is drilled for the tap into a piece of hardwood such as beech or maple, see list below.  This hole must be square to the body of the die box.  The holes are then chamfered or countersunk to prevent the tap from splitting out the wood as it enters and exits the hole.

The tap should be lubricated with linseed oil to make the threading easier.  The tap is then inserted carefully into the hole and started squarely to insure a straight threaded hole.  It is very important that the tap is started perpendicular to the surface and square to the hole.  If the tap binds up gently back a ½ turn then start again, if it becomes too difficult, remove the tap, lubricate and try again.  Make sure the exit hole is countersunk to insure that the tap doesn’t break out any wood when it exits.

Now that you have the die box drilled and threaded, the next step is to cut a mortise for the V-shaped cutter that is on the front leading edge of the die box.  The cutter is positioned right over the first complete thread peak at an angle of 30ºand the leading edge of the cutter should engage the wood at the widest part of the cutter first to score the wood being removed.  The end of the cutter is ground at an angle of 15º with the top of the V leaning forward, with the bottom of the V trailing.

The cutter needs to be sharp and set to cut just slightly deeper than the threads that were cut by the tap.  This insures that the newly cut external threads will not bind up in internal threads of the die box.  The die box can also be equipped with a removable plate that will center round pieces as they are fed into the screw box.  The plate needs to be thick enough to line up the piece to be threaded and removable so the external threads can be cut all the way up to the shoulder of a turned piece if necessary.  The internal threads of the screw box should be well lubricated to make the cutting of the screw shaft easier.

Nut – The Nut is the part with the internal threads that are cut with the Tap.  The nut is prepared by drilling the hole using the following starting holes sizes.

Starting holes:

½” threads use a 3/8” drill

¾” threads us a 5/8” drill

1” threads use a 7/8” drill

1 ¼” threads use a 1 1/8” drill

1 ½” threads use a 1 3/8” drill

1 ¾” threads use a 1 5/8” drill

2” threads use a 1 7/8” drill

2 ¼” threads use a 2 1/8” drill

2 ½” threads use a 2 3/8” drill

 

It is important that the hole is drilled square and perpendicular the flat surface of the nut.  The wood for the nut should be a wood that is capable of taking the threads.  While most hardwoods will hold the threads some are better than others.  Beech, maple, hickory and oak can be used for nuts and will take threads, as can alder, elm and poplar.  Some brittle woods such as cherry are difficult to thread, but it can be done.  The thicker the piece of wood that is threaded, the stronger the threads will be.

On thin pieces for the nut, the threads can easily be cut at an angle, so make sure the hole is straight and the threading is done properly.  When threading in an angled hole, the grain orientation is important as is beginning the cutting with the tap.  The tap needs to go straight down the hole; if you get off at an improper angle the threads will be too deep on one side and too shallow on the other.  While the internal threads on the nut are not as critical in terms of strength, the screw needs to be constructed of specific woods.

After the proper sized hole is drilled, the edges need to be chamfered or countersunk to prevent split out during the entry and exit of the tap.  This must be done on both sides, as the tap will chip out the wood.  The tap is lubricated with linseed oil or beeswax and it is inserted in the starting hole.

It is very important to make sure that the tap is perfectly square and lined up with the hole.  The tap is twisted and forced into the wood, taking care to make sure that it is perpendicular to the surface of the nut. Enough downward pressure is exerted to engage the tap into the hole, after the cutting begins, the tap is self-feeding.  If the tap binds in the hole, gently and carefully back it off a half a turn and start again.  If it still binds, back the tap out of the hole, lubricate it again and carefully start the tap back into the cut threads.

Be careful when doing this so you don’t cross thread the screw and ruin your work.  Every once in a while, back the tap out a half a turn and continue until cutting becomes more difficult, then repeat and go at it again.  It is better to take your time and make sure that the work is done properly.  Continue until the tap comes out the exit hole, clean out the shavings and back the tap out of the hole.

If you are threading a blind hole, your starting tap will hit bottom, then back out the tap, remove the dross and carefully place the bottoming tap into the threads and run it down until it cuts the internal threads on a blind hole.  If the wood is fuzzy on the inside of the threads, I wet the piece with water and raise the grain.  I allow it to dry completely and run the tap down the hole again to remove the raised grain and fuzz.  Sometimes running the tap in from the opposite direction will remove the fuzz and clean up the internal threads.

Screw – The Screw is the part with external threads and is cut by the Screw Box or Die.  The selection of the material for the screw is important as certain woods make excellent threads while others are more difficult.  Softwoods are difficult without an extremely sharp cutter in the screw box.  Hardwoods are preferable and woods such as beech, maple and hickory are the best for wooden bolts or screws, those with external threads.  Strong, tough woods such as elm are better than brittle woods like cherry.  Walnut also accepts threads as well.  With care any wood can be threaded.

It is also important that the grain be as straight as possible.  This is for strength and for a more uniform cut.  The piece to be threaded should be turned to the size of the thread box.  Therefore if the threads are for a 1 ½” screw then the dowel or piece should be turned to just under 1 ½”.  All it takes is just a 32nd under to make the piece just the right size.  It may take a slightly smaller say 16th under to get a proper fit, it may take some experimenting.  But I guarantee if it is too large the threads will crumble as it is forced through the screw box.  If it is too large it will not fit into the screw box and if it is too small it will not properly thread through the screw box.  A slightly smaller screw works much better than one that is too tight.  I like nice crisp threads, so I always turn the pieces just under the required size.

For some applications where you don’t necessarily need sharp peaks, such as heavy duty tools, the screw blank or dowel can be slightly undersized producing flat topped threads instead of sharp peaks.  Small fine threads such as 8 threads per inch can be difficult and these fine external threads can easily break off.  Denser woods work better for these fine threads.  If the dowel is undersized, it is important to make sure that the screw box travels over the dowel in a uniform manner to insure proper threading.  If flat-topped threads are required, I usually turn the dowel to the proper size, thread the piece, then re-chuck it in the lathe and turn off the peaks.

When you turn the screw or dowel on the lathe, just use your gouges and chisels, do not use sandpaper.  The sandpaper can leave residue in the wood fibers that can dull the cutter in the screw box.  Also you will want to chamfer the edge of the dowel or screw blank to make it easier to start the screw box.

I always dip the end of the screw blank or dowel in linseed oil to provide lubrication for the cutting process.  I usually clamp the screw blank in a vice to hold it during the threading process.  It is important to make sure that the screw box engages the screw blank or dowel perfectly square to insure accurate threading.  I always look down the waste hole in the screw box where the chips come out to see how the cutter engages the threads.  I try and exert enough pressure to engage the wood on flat grain first rather than the side grain.  It just seems to start better if the cutter enters the wood on the flat grain.

Once the cutter has began to make threads they engage and pull the screw blank into the screw box, so the pressure can be reduced.  After cutting begins, simply turning the screw box is sufficient.   When the cutter has made the first part of the threads, they will engage the internal threads of the screw box and advance the screw into the tool creating a perfectly cut spiral thread.  The first ½” or so is usually not perfect and I always allow for an extra half inch or so to cut off after the threads have been cut.

Once the cutting has started, the tool should ‘sing’ through the work.  If the stuff is tight in the tool, the cutter may be set too shallow or the dowel is too large.  Most screw boxes have a removable plate that guides the screw blank into the screw box.  This is removed if the threads are to be cut up to a shoulder.  The plate should be used to cut well into the screw blank and can be removed to thread just the last inch or so.  A properly positioned and very sharp cutter will make the cutting much easier.

It is important that you keep your tools sharp and well maintained.  The teeth on the tap need to be clean and sharp at their cutting edges.  The new made tap and die sets require sharpening.  The screw box has a V cutter that needs to be honed mirror shiny on the outside and perfectly flat on the inside. The V-shaped cutter in the screw box should be ground at the proper angle of 15º and should be very sharp and properly positioned.  The bevel is ground on the outside of the cutter.  Both edges must be honed for a good clean cut.

New set of ¾” taps and V-cutter, factory ground, NOT sharp.  Note improper ground V-cutter, burr protruding from the bottom of the V.

New set Sharpened.  Threads and slots have been dressed and V-cutter sharpened and honed.

The tap needs attention as well.  The V-teeth need to be dressed to remove the grinding burr left during manufacture.  Make sure to get both sides of the slot and both places where the slot and the V groove meet, especially on the leading (cutting) edge.  Use a triangular file to dress the teeth.  Use a thin flat mill file to dress the gullets so the cutting edge is sharp.  Then go back and re-dress the V-grooves with the triangular file to remove the last of the burrs.

The sharper your tools the easier the work.  I use a bit of sandpaper over the files to hone the edges to a mirror gloss.  Your holes need to be clean, straight and countersunk and your turnings need to be of the proper size and chamfered to produce the desired results.  Use linseed oil or beeswax to lubricate the parts being cut, it just makes the job easier.  Make sure the tool engages the work squarely to produce quality work.

Clean out any shavings that can interfere with the cutting operation.  Work slowly and carefully.  This is not like cutting metal threads; it is a continuous operation, only backing out when the cutters jams or the cutting is complete.  After you are finished using the tool make sure to clean off all excess linseed oil before it dries!

There is no end to the possibilities for using wooden threaded devices and the results are delightful.  Wooden screws are capable of exerting incredible pressure when used for clamping applications and can provide for ease of assembly and disassembly for transportable furniture.  There are endless applications and uses of wooden threads and they are fun to make.

Stephen

May 21, 2011

P. Guarneri tuning peg lathe

After finding photographs [see image below] of the rare tuning peg lathe used by Antonio Stradivari to make turning pegs, I realized I had an almost identical bow lathe.  This is a reciprocal bow lathe like those used by watch and clock makers.  This is slightly more fancy than the one in the Strad collection in Cremona, Italy in that the securing bolt for the tool rest can be turned out of the way while fashioning the tuning pegs.

Here is the one I have, it does not have the wooden bobbins for the bow belt to wrap around increasing the speed of turning.  This is a reciprocal lathe and only cuts on the pull stroke, or push stroke depending on how the bow string is wrapped around the stuff.  It is held on the bench with a clamp or vise and powered by a wooden bow with a leather or gut strap to provide the power.

I had no idea that this could date from the late 1600′s.

I tested the paper on the label with UV light and it did not glow like modern paper.  [P. Garneri Mant(ua)], I am sure it was added later.

Stephen

December 17, 2010

Walking Wheel, Great Wheel, Wool Spinning Wheel-repaired

Well, I finally got it all together.  Here is a photograph of the shaped ‘Dutchman’ after the hide glue had dried.  Delicate endgrain always make these a challenge.  I also used liquid shellac to ‘fill’ in the very small chips around the bobbin.  It took between 30 to 40 ‘coats’, little daubs of shellac put in the chips and allowed to dry.  I smoothed them down in between and added more.  I could have used hot stick shellac, but I wanted to try this, all in all it took about an hour total to get the edge of the bobbin smooth with the shellac fill.

Here is a closeup of the Farnham Accelerator head with its braided corn husk bearings, the string is hemp that I first got wet, stretched and allowed to dry.  Two simple opposing overhand knots tie the two ends together.  The large power string is also hemp treated in the same manner.

This is the tensioning devise in place and with a coat of stain.  I used linseed oil/turpentine with dry powdered pigments, yellow ocher for the first coat, then burnt umber with a bit of black iron oxide for the next coat.  All sealed with a coat of thin shellac.  I used thin shellac so as not to give too much shine, which would not match the originals.

The compleated wheel, ready for the customer to pick up.

And here is the happy customer spinning some raw wool she brought along to field test the wheel in my shop.  She was impressed with the accelerator head.

Great project, just got an inquiry from a lady in Hawaii to repair her great-grandmother’s spinning wheel.

Stephen

December 13, 2010

Unusual Distaff

The wool walking spinning wheel that I am working on got a new distaff and an unusual one indeed.  I have seen dozens and dozens of distaffs, from symmetrical tree saplings to fancy turned examples.  This one is unusual in that the curved parts are rattan and there are only three pieces.  The lower holes are drilled through and are offset from one another.  Each end of the three pieces are tapered to fit into the upper holes.

 

After I shaped the ends with a small bronze spokeshave, I glued them in place, followed later with a coat of shellac that made them match the one original still remaining.

I also worked on the accelerator head and fashioned two ‘turned’ ends that hold the large wheel, they are of birch.  I sawed the shoulders, split off the waste and fashioned the tenons with a float.  I then used a gimblet bit to drill holes in each to accept the axle of the large wheel.  I will stain them later.

I also had to repair a chip in the mandrel pulley.  Like all it is end grain and is very small.  I have probably done several hundred of these small repairs.

After sawing the side pieces, I used a flexible metal ruler to scribe a line, then took a knife and pared down the  waste wood to the line.

I then cut an eight inch piece of birch, then used my knife to cut the angle, it was actually a split as it was end grain.  Once one angle was established, I put the new piece in place and used the knife to mark the proper length.  I then used some fish glue to glue it in place.

After it dries tomorrow I will carefully shape it and give it a stain then some shellac.

Stephen

December 9, 2010

Walking Wheel – wool spinning wheel

I have had this wheel for a while, so it is time to get it finished.  It was missing its upright and spindle.  The owner wanted an accelerator head for this wheel and after searching around the Internet she found one that I will be able to put in good working order.  She also has a distaff that needs a bit of work.

 

This is how it came into the shop.  The shop location has changed and so has the wheel.  What was missing is the upright and in the above picture it would be to the left of the small tensioning upright.

I started with a rough piece of white oak from Mike Moore [Mick Moore's Custom Mill], it was a 3 inch square piece that came from some long skids, the stuff was very dry and very hard.  I took the edges of with my Ft. Meigs ax to make it acceptable on the lathe.

After it came off the lathe.  It is much too long, it will need to be cut down to bring the accelerator’s head down to the proper position.

This is what the upright looks like in position with a temporary threaded tension device, but first I had to saw in the hinge.  A saddle, bridle or open mortise and tenon, this hinge joint has many names.

I sawed off the base just over two inches above the bead, then marked the tenon for the saddle/hinge joint.  Some tough rip sawing.

I have since drilled a 3/8″ hole through, secured with a maple peg and rounded the ends of the hinge mechanism.  It only moves an arc of about 15 degrees, just enough to put tension on and take tension off the power string.

Stephen

August 26, 2010

Friends are concerned…

Filed under: Drilling,Finishing,Historical Material,Of Interest,Proper Tools,Turning,Wood — Stephen Shepherd @ 6:05 am

that my focus lately on making weapons is out of character.  I am basically a non violent person, I think killing is wrong and I have never been in a physical fight.  Although I have no problem assailing people verbally I never take it to the next level.  However I do seem to have and make a lot of personal protection devices.

So after a friend told me of a cudgel enhanced with hob nails, I decided to put a few to good use.  Turned of hard maple, I had to pre-drill the holes for the hobnails.  It is finished with a coat of linseed oil/turpentine.

No more mollycoddling those sensitive types.

Stephen

Older Posts »

Powered by WordPress